|    Choose another writer in this calendar: by name: by birthday from the calendar. TimeSearch |  | John Byrom (1692 - 1763) | 
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 English poet, hymnist, and inventor of a system of shorthand, student of religious mysticism. John Byrom's light-hearted and good-natured character is apparent in his journals. His shorthand was never widely used and it was too slow professional stenographers. 'Hymn for Christmas Day,' with its uplifting words, is Byrom's best-known work. The phrase "Tweedledum and Tweedledee," about a silly battle between two men, may have been coined by Byrom. As the Tweedle boys, these names later appeared in Lewis Carroll's Through the Looking Class (1871). Some say, compar'd to Bononcini, John Byrom was born near Manchester into a family of
prosperous merchants and linendrapers. He was educated at the King's
School, Chester, and
later he went to Merchant Taylors' School in London. Byrom then studied
at Trinity
College, Cambridge, under the reign of Richard Bentley (1662-1742) - he ruled the college with such despotic power
that his mastership was a succession of quarrels and scandals. In spite
of this,
Byrom defended Bentley against his enemies. He may have addressed a
pastoral published in
the Spectator
in 1714 to the daughter of the master. The poem,
'Colin and Phebe,' became very popular. Phebe was Joanna Bentley, a
witty eleven year old young lady, who would draw the attention of many
of the college fellows.  At Trinity Byrom had a Fellowship, but he resigned it due to his Jacobite sympathies and mystical leanings and did not take the required holy orders. He also studied medicine for a short time at the University of Montpellier in France. Though he did not take a degree and never practiced he was afterward called Dr. Byrom by his friends. In 1721 he married his cousin, Elizabeth Byrom. Their daughter Beppy, who had a great love for everything that was Scottish, followed Jacobite fashion. She bought a blue and white dress to celebrate the rebel victory in October 1745. After the rebellion she wore plaid garters. While in Cambridge, Byrom developed a new system of
"tychygraphy" or 
shorthand, and became its teacher. According to a story, Byrom made his
invention in a concert. His pupils, who called him the grand master,
were required to take an oath of secresy. Byrom
chiefly divided his time between Manchester and London, where he lived
by teaching his system of shorthand privately. Byrom charged five
guineas per person. (David Hartley on Human Nature by Richard C. Allen, Albany: State University of New York Press, 1999, p. 49)  A special act of Parliament in 1742 granted Byrom the
exclusive rights to publish and teach his shorthand. Financially he was
dependent on teaching until 1740
when he
inherited the family fortune after the death of his elder brother. One
of his students was Captain
John Vere, a  Jacobite spy. In has been suggester, that Byrom
himself was a double agent. ('John Byrom – a man of mystery' by Anthony Russell, Laudate, No. 88, January 2016)  Joy Hancox, a music teacher from
Mancester, has argued in The Queen's
Chameleon
(1994) that Byrom was a lover of Queen Caroline, wife of George II, and
the father of Caroline's son, William, Duke of Cumberland. She
has further suggested that Byrom was involved in conspiracies to poison
George I and to murder Sir Robert Walpole.  Byrom's system was used by
John (1703-1791) and Charles Wesley (1707-1788), founders of Methodism,
who recorded their self-examinations in coded diaries. However, Timothy
Bright had been called the father of modern shorthand. Queen Elizabeth
granted him a patent for a "shorte and new kynde of writing by
character to the furtherance of good learning." The word shorthand was used on the title
page of Jeffrey Hudson's New Yeeres
Gift (1636). (500
Years of New Words: The Fascinating Story of How, When, and Why
Hundreds of Your Favorite Words First Entered the English Language
by Bill Sherk, Toronto: Dunrum Press, 2004, pp. 95-96) Later on
Samuel Pepys
(1633-1703) utilized the technique in his famous diary, so that no one
could read it while he was alive. William Mason first published his
system in 1672 under the title Pen plucked from an Eagles Wing;
it formed the basis of the Guerney system, used at least 200 years.  In 1724 Byrom was elected Fellow of the Royal Society, while Sir Isaac Newton was the President. His
varied acquaintances
included the physician David Hartley, the Wesleys, devout Christians,
J. Butler, writer of Fifteen Sermons, and William Law
(1686-1761), of whom Byrom left accounts in his Private
Journal and Literary Remains (1854-57). It is an important source
of information on Law, a very religious writer, whose
guide to the practice of Christian faith, A Serious Call,
influenced deeply Samuel Johnson.  Accroding
to the historical novelist William Harrison Ainsworth, Byrom was
striking-looking person, very tall and thin. "Without being handsome,
his features were pleasing and benevolent in expression. His manner was
singularly courteous, and his temper so even that it could scarcely be
ruffled." (The
Manchester Rebels of the Fatal '45 by William Harrison
Ainsworth, London: George Routledge and Sons, 1880, p. 11) Byrom's Miscellaneous Poems (1773) include some modifications of Law's poem, and the well-known 'Hymn for Christmas Day' (Christians awake, salute the happy morn, / Whereon the saviour of the world was born) of which Byrom is best remembered for. Originally the poem was written for Byrom's daughter Dolly as a Christmas gift in 1749. A copy was given to John Wainwright, an organist, who composed music for it. Most of Byrom's religious poems are now forgotten. In the epigram on King and Pretender, Byrom played with pro- and anti-Jacobite sentiments. The ambiguously loyal toast reads 'God bless the King, I mean the Faith's Defender / God bless—no Harm in blessing—the Pretender / But who Pretender is, or who is King, / God bless us all—that's quite another Thing." (Miscellaneous Poems: Vol. I by John Byrom, Manchester: J. Harrop, MDCCLXXIII, p. 342) Many of Byrom's poems were written for his friends and relatives and not intended for publication. In 'Clergymen preaching Politics' Byrom said: "Were I a King (God bless me) I should hate / My Chaplains
meddling with Affairs of State; / Nor would my Subjects, I should
think, be fond, / Whenever theirs the Bible
went beyond, / How well, methinks, we both should live together, / If
these good Folks would keep within their Tether!" (Ibid., p. 128)  Byrom also wrote religious verse and a pastoral (1714), he had
many
varied linguistic, literary, religious, and scientific interests, and
was attracted to the mysticism of writers like Jacob Boehme and
Malebranche. He was a Freemason, a member of the 'Cabala Club,' and
collected  hundreds of drawings, many of which were concerned with
mathematicall, astrological, alchemical and Masonic symbols.  Joy Hancox
has argued in The Byrom Collection
and the Globe Theatre Mystery (1997) that a number of drawings
were concerned with the Elizabethan public theatres, including the
Globe Theatre. John Sharp remarked in his review of the book that "the
drawings have so many lines and circles on them that, with judicious
selection, it would be possible to match them almost anything you
choose." (Nexus
Network Journal: Architecture and Matematics: Volume 1, Edizioni
Cadmo, 1999, p. 168) Byrom
contributed two papers on shorthand to the Philosophical
Transactions and copyrighted his "tychygraphy" system in 1742, but
his Universal English Shorthand did not appear during his life
time. Byrom outlived most of the friends of his youth. He died in
London on September 26, 1763. For further reading: 'John Byrom' by Timothy Underhill, in British Writers. Supplement XVI, edited by Jay Parini (2010); David Hartley on Human Nature by Richard Allen (1999); The Oxford Companion to English Literature, edited by Margaret Drabble (1998); The Byrom Collection and the Globe Theatre Mystery by Joy Hancox (1997); The Queen's Chameleon: The Life of John Byrom by Joy Hancox (1994); The Byrom Collection: Renaissance Thought, the Royal Society and the Building of the Globe Theatre by Joy Hancox (1992); The Edges of Augustanism; The Aesthetics of Spirituality in Thomas Ken, John Byrom, and William Law by John Hoyles (1972); The Manchester Rebels of the Fatal '45 by William Harrison Ainsworth (1880); The Journal of Elizabeth Byrom, in 1745, edited by Richard Parkinson (1857) Selected works: 
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