Choose another writer in this calendar:
by birthday from the calendar.
||Conrad (Potter) Aiken (1889-1973)|
American poet, short story writer, critic and novelist. Most of Aiken's work reflects his intense interest in psychoanalysis and the development of identity. As editor of Emily Dickinson's Selected Poems (1924) he was largely responsible for establishing that poet's posthumous literary reputation. From the 1920s Aiken divided his life between England and the United States, playing a significant role in introducing American poets to the British audience.
"All lovely things will have an ending,
Conrad Aiken was born in Savannah, Georgia, the first of three sons born to William Ford Aiken, a surgeon, and Anna Porter Aiken, the daughter of a Unitarian minister. In his childhood Aiken experienced a profound trauma when he found the bodies of his parents - his father, brilliant but unstable, had killed his mother and committed suicide. When reaching the age of his father at the time of the tragedy, Aiken had also difficulties in keeping his depression at bay. In his "autobiographical narrative" Ushant: An Essay (1952), Aiken confessed that finding his parents dead, he "found himself possessed of them forever". This prose work dramatized the attempt of its protagonist, the author's persona, to read the palimpsest of hieroglyphs that constitutes the landscape of his soul, and mingled in between sketches of Malcolm Lowry, T.S. Eliot, and other figures he had met.
Aiken was brought up in Massachusetts from the age of eleven by a great-great-aunt. Before entering Harvard Aiken was educated at private schools and at Middlesex School, Concord. In Harvard he shared a class with T.S. Eliot, with whom he edited the Advocate and whose poetry was to influence his own. Due to poor class attendance, he was placed on academic probation. Aiken spent in Europe for half a year and eventually graduated in 1912. After receiving the degree of A.B., Aiken married Jessie McDonald, a graduate student from Canada; they had three children.
After working as a reporter, Aiken devoted himself entirely to writing, along with having a small private income. Of the many influences Aiken acknowledged, the writings of Freud, Havelock Ellis, William James, Edgar Allan Poe, and the French Symbolists are evident in his work. Freud considered Aiken's second autobiographical novel, Great Circle (1933), a masterpiece of analytical introspection.
Aiken's first collection of verse, Earth Triumphant (1914) made him known as a poet. He was a contributing editor to Dial, which led to a friendship with Ezra Pound. Aiken's essays, collected in Skepticisms (1919) and A Reviewer's ABC (1958), dealt with the questions provoked by his commitment to literature as a mode of self-understanding.
During the First World War Aiken claimed that he was in an "essential industry" because of being a poet, and was granted an exemption for this reason. Aiken's adult life was marked by trans-Atlantic journeys. In 1921 he moved from Massachusetts to England, settling in Rye, Sussex, where Jessie gave birth to their third children. At that time Aiken's marriage began to fall apart; they divorced in 1929, and Jessie married the poet's friend Martin Armstrong.
In 1927-28 Aiken was a tutor in English at Harvard. His second wife was Clarissa M. Lorenz, a musician and journalist. Blue Voyage (1927), dedicated to C.M.L. caught the attention of Malcolm Lowry, who tought that it meant himself. He wrote a letter to Aiken, who become his tutor and friend. Together they composed a poem for The Festival Theatre Review protesting the censorship of literature. Lowry found it difficult to acknowledge publicly Aiken's great influence on him. Until the publication of Selected Letters (1965), edited by Harvey Breit and Margerie Bonner Lowry, his importance was not fully realized. In one of the letters he said that Aiken's work "slammed down upon my raw psyche like the lightening slamming down on the slew at this moment."
During his stay in Rye, Aiken produced his famous preludes, collected in Preludes for Memnon (1931) and Time in the Rock (1936). There was also a suicide attempt in 1932. He sailed again for Boston in 1933, and then spent two years in Rye (1934-36), writing 'London Letters' to the New Yorker. Preludes for Memnon was dedicated to Aiken's benefactor Henry A. Murray, a Harvard psychologist. A few of Aiken's many letters to Murray were published in Selected Letters of Conrad Aiken (1978). While in Boston in 1936, he met the artist Mary Augusta Hoover; in her he fond the ideal partner for the third phase of his life. After his break up with Clarissa, Aiken married Mary Augusta Hoover in Cuernevaca, Mexico, where jurisdiction was expedient for both quick divorce and marriage. Their trip, made by train with the painter Edward Burra, became the basis of A Heart for the Gods of Mexico (1939). Upon the outbreak of World War II, the couple moved from Rye to the United States. Mary, who was a painter with a wide range of interests, turned out to be the ideal mate for Aiken's late career as the man of letters.
"Walk with me world, upon my right hand walk,
In 1930 Aiken was awarded the Pulitzer Prize for his collection Selected Poems. Most of Aiken's fiction was written between the 1920s and '30s, among others the novels Blue Voyage (1927), in which he used interior monologue, King Coffin (1934), and the short story collections Bring! Bring! (1925), and Among the Lost (1934), which contains the classic 'Silent Snow, Secret Snow,' a horror story in which the sounds of the falling snow start to haunt a young boy, and 'Mr. Arcularis,' recounting the dream voyage of an aesthete on the operating table, just before his death. The story first appeared in T.S. Eliot's Criterion. Later on Aiken adapted it into a play, published in 1957.
After staying two years in Rye, Aiken settled in 1947 in Brewster, Massachusetts. He was a consultant in poetry at the Library of Congress from 1950 to 1952. In 1953 he published Collected Poems, which included the masterworks 'Preludes to Definition' and 'Morning Song of Senlin'.
From 1962 on Aiken wintered in a Savannah house adjacent to that of his childhood. He died in Savannah on August 17, 1973. His tombstone epitaph in the Bonaventure Cemetery reads: "Cosmos Mariner, Destination Unknown." Posthumously published The Selected Letters of Conrad Aiken (1978) contains correspondence with such literary colleagues as Wallace Stevens, Harriet Monroe, and Edmund Wilson. Besides the Pulitzer Prize, Aiken's many honors and awards include National Book Award (1954), Bollinger Prize in 1956, Gold Medal in Poetry from the American Academy of Arts and Letters in 1958, and National Medal for Literature in 1969.
Many of Aiken's friends were leftist, but the author himself could
be considered a deep-dyed reactionary. Provocatively, he insisted
that women were mere meat, objects of sexual pleasure, and little more.
Malcolm Lowry's wife Jan thought that Aiken's political view's were
"somewhat to the right of Ghengis Khan."
Aiken was married three times. Two of his daughters from the first marriage became writers: Jane Aiken Hodge (born in 1917), who started to publish popular historical novels and works of romantic suspense from the 1960s, and Joan Aiken. She was born in Sussex in 1924 and educated at home before entering the school at the age of 12. A prolific writer like her sister, Aiken produced more than 30 books for adults and over 60 for children. Her first collection of short stories for children, All You've Ever Wanted, appeared in 1953. Other works include The Wolves of Willoughby Chase (1962), Black Hearts in Battersea (1964), The Silence of Herondale (1964), A Necklace of Raindrops (1968), Midnight is a Place (1974), The Shadow Guests (1980), The Cuckoo Tree (1981), The Way to Write for Children (1982), Mansfield Revisited (1984), Deception (1987), Blackground (1989), Jane Fairfax (1990), Morningquest (1992), Eliza's Daughter (1994), The Winter Sleepwalker (1994), Cold Shoulder Road (1995); The Cockatrice Boys (1996), The Jewel Seed (1997). Joan Aiken's works combine elements from fairy tales, history, horror, supernatural, and adventure.
For further reading: Aiken: A Life of His Art by Jay Martin (1962); From Fiction To Film: Conrad Aiken's Silent Snow, Secret Snow by Gerald R. Barrett & Thomas L. Erskine (1972); Aiken: A Bibliography (1902-1978) by F.W. and F.C. Bonnell (1982); Lorelei Two: My Life with Aiken by Clarissa M. Lorenz (1983); The Writer As Shaman: The Pilgrimages of Conrad Aiken and Walker Percy by Ted R. Spivey (1986); Conrad Aiken by Edward Butsche (1988); Aiken: Poet of White Horse Vale by Edward Butscher (1988); The Art of Knowing: The Poetry and Prose of Conrad Aiken by H. Martin (1988); Conrad Aiken, Our Father by Joan Aiken and Jane Aiken Hodge (1989); Aiken: A Priest of Consciousness, ed. by Ted R. Spirey and Arthur Waterman (1989); The Fictive World of Conrad Aiken by C.F. Seigel (1993); Time's Stop in Savannah: Conrad Aiken's Inner Journey by Ted Ray Spivey (1997); Conrad Aiken: Poet of White Horse Vale by Edward Butscher (2010)