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||Elmer (Rafael) Diktonius (1896-1961)|
Poet and composer, compared to Edith Södergran as a reformer of the poetic expression. Diktonius was exceptionally talented in using the both Finnish languages, Finnish and Swedish. He also borrowed elements from one language to another. With Edith Södergran, Gunnar Björling, Rabbe Enckell and Henry Parland, Diktonius was a member of a new avantgarde school of Swedish-speaking poets, who were interested in experimenting with new ideas and stylistic means. In his lifetime, Diktonius failed to achieve wide acceptance as a poet.
"Over there our houses lie
Elmer Diktonius was born in Helsinki, the son of August Viktor Diktonius, a print shop foreman, and Adelaide Malmström, the daughter of a contractor. The family spoke Swedish, but for practical reasons Diktonius attended Helsingin normaalilyseo, a Finnish-language school, which helped him to acquire bilingualism.
Diktonius was a lazy pupil and at the age of sixteen he left the school. Following the death of his father in 1912 he started a period of voracious reading, which included such writers as Friedrich Nietzsche, August Strindberg, Fyodor Dostoevsky, Walt Whitman, and Knut Hamsun. After a brief stint as a sheet-music salesman, he enrolled Helsingfors Music Institute, studying violin and composition from 1915 to 1919.
In 1915 Diktonius met then 19-years-old Otto Ville Kuusinen, who became later a member of the Soviet politbyroo and whose socialist views influenced him deeply. Diktonius published in Työväen Joulualbumi his first text and was encouraged by Kuusinen to study Marxist literature. Kuusinen preached the aesthetics which aimed to awaken the masses to revolution.
During the Finish Civil war (1917-18) Diktonius's sympathies were on the Red's side, but he did not join the Red Guards. Between August 1919 and September 1920 Diktonius served in the army. Part of the time he spent in medical corps on Valamo in Lake Ladoga. His modernistic songs - first presented in a concert in 1920 - were condemned by critics. Financed by Hella Wuolijoki, his mother and possibly Swedish communists, Diktonius traveled in 1920-21 in Sweden, France, and England. Before starting the journey, Diktonius sent the composer Arnold Schönberg three letters, but dropped his plan to move to Wien as his student. While abroad, he met representatives of the international Communist movement, wrote several poems, and had an affair in London with Mary Moorhouse, a feminist and Communist party worker. She later married the leftist Finnish politician Eino Pekkala.
Diktonius's first book, Min dikt (1921),
was published in Stockholm and edited by Kuusinen. The work was made up
largely of aphorisms. "Democracy is the last refuge of the
bourgeoisie," Diktonius declared. "Communism is going to be their end."
Although Min dikt was ignored in Finland, the young poet was introduced by the critic Hagar Olsson to Edith Södergran and other members of the modernist group. Diktonius also contributed in 1921-22 to the magazine Arbetarbladet. In
his sharp and sometime cruel reviews he attacked such writers as
Gripenberg, Runar Schildt, and Jarl Hemmer. With the Swedish writer
Eyvind Johnson he began a correspondence which continued for decades.
After Olsson stopped visiting Södergran in Raivola on the Karelian
Isthmus, Diktonius became Södergran's confidante. He also tried to get
her poems published in France. Diktonius sent translations to the
French-German poet Ivan Goll, who considered the poems too short for
Hårda sånger (1922), Diktonius's second collection of poems, was also received with little notice. However, it included 'Jaguaren' (Jaguar), perhaps the most famous poem of the author. Jaguar is a machine that hits, it has heart and it longs for beauty. The duty of the jaguar is to fly and bite and tear apart, to "kill the cry of those without feeling, the sympathy of the heartless." The text was written in Paris and it was later printed in Ivan Goll's anthology Les cinq continents, translated by Lidia Stahl, and in a Finland-Swedish anthology edited by Edith Södergran. Stahl, a Comintern agent and the former lover of Kuusinen, John Reed and Wäinö Aaltonen, corresponded with Diktonius in broken Swedish.
With Brödet och elden (1922) Diktonius became a recognized member of Helsinki literary life. Tassiga lågor (1924) presented a set of "portrait poems" of the poet's cultural heroes, and showed the influence of Edgar Lee Masters. In Stenkol (1927) Diktonius's vision of revolution frightened his conservative readers. Diktonius called attention to the graves of Reds, who died during the Finnish Civil War (1917-18), a nationally traumatic period. With this work he won the appraisal young young leftist poets in Sweden. The book appeared in a period of personal crisis - his marriage to the singer Meri Marttinen, the most important woman in his life, came to pieces. A journey to Paris (1925-27) was abrupted by illness and shortage of money. His marriage ended in divorce and his wife's subsequent suicide in 1930. Diktonius devoted the poem 'Vi sjöng' in the collection Stark men mörk (1930) to her memory. Both Meri and Diktonius loved cats. In one poem he referred to her as a cat with sharp claws.
Because of financial reasons Diktonius lived in the country for some time. In a letter to his mother he once told that he had only one pair of trousers, with a hole at the back. Especially Diktonius enjoyed stays at Lumparland in Ahvenanmaa islands. Some of his time Diktonius spent in Röykkä, Nurmijärvi. In 1931 he moved with his wife to Kauniainen, where their neighbour was the writer and literature critic Olof Enckell. Stark men mörk marked the end of his rebellious, international period. Diktonius became interested in nature and Finland's literary heritage, exemplified in his tribute to J.J. Wecksell. Like Uuno Kailas in Uni ja kuolema (1931) he saw threats emerging from the east. He gave his daughter the name Silja; it was taken from F.E. Sillanpää's novel Nuorena nukkunut (1931, The Maid Silja). Diktonius insisted that Sillanpää should get the Nobel prize for Literature. He also translated into Swedish some of his short pieces.
Diktonius participated in the establishment of the modernist journal Quosego (1928-29), and wrote music critics for Nya Argus.
In 1929 he married Anna-Leena Jyrkkä, whom he had known from the late
1910s. "I'm living only for you," he said in a letter. The second
marriage turned out to be more stable. Diktonius contributed to Sosialidemokraatti, Elanto, Tulenkantajat, and the Swedish magazines and newspapers Arbetet (Malmö), Nya Daglig Allehanda, Clarté and Spectrum.
To protest the right-wing Lapua movement he joined Helsingfors svenska
arbetarförening. In his poems and other publications Diktonius's
revealed his mellower side as is seen in Jordisk ömhet (1938). In Medborgare i republiken Finland (1935),
published by Holger Schildt, his citizens in the Republic of
Finland included democratically farmers, Fascists, orphans, and
mothers. The cover of the book was designed by Tapio Tapiovaara,
brother of the director Nyrki Tapiovaara; he created covers for a number of works written by members of the leftist literary group Kiila (The Wedge).
Janne Kubik: ett träsnitt i ord (1932), illustrated by Tapiovaara, was Diktonius's most important novel. The expressionistic story depicts a longshoreman, who joins during the Finnish Civil War first the Red Guard, later the winning side of White forces, starts then during Finland's prohibition a career as a romrunner, becomes a fascist sympathizer and a bullyboy, a prematurely aged dockworker and strikebreaker, and finally falls to his death through a ship's cargo hatch. The events are quasi-scholarly commented by the author, who tries to find some sense in the life of the poor protagonist. The elliptic sentences, quick shifts of time and place made the book a pioneer work in the Scandinavian novel. Diktonius, who was completely bilingual, claimed that Janne Kubik was conceived in Finnish and published the "original" Janne Kuutio in 1946.
In 1936 Diktonius's satirical article in Arbetarbladet on Adolf Hitler prompted a reaction from the German ambassador in Finland, and the editor of the paper, K-A. Fagerholm, was condemned to a fine. In 1940 Diktonius joined the circle around Bertolt Brecht, who stayed in Finland for a period. Brech characterized Diktonius as "der finnische Horaz."
After the outbreak of the Continuation War (1941-44), Diktonius served in the army at the information department for a short period. He did not much appreciate war poetry and propaganda but one of his poems from Stenkol, 'The Tile Workers,' was published in Waffenbruder Finnland (1942). Its foreword was written by President Svinhufvud and the Nazi ideologist Alfred Rosenberg. The beginning of the year 1943 Diktonius spent in a hospital. To a friend he wrote: "For the last two decades, I have never felt healthy." Ideologically he had taken distance to leftist views. He eulogized in the patriotic Varsel (1942) the composer Jean Sibelius, the novelist Frans Emil Sillanpää, and the president Kyösti Kallio. In the Swedish newspaper Dagens Nyheter Diktonius defended Finland's pact with Germany and the conquest of the Russian Carelia. Following the end of hostilities between Finland and the Soviet Union, Diktonius made again an ideological turn and started to write critics for the Communist paper Työkansan Sanomat. His unconventional Swedish translation of Aleksis Kivi's (1834-1872) classic novel Seitsemän veljestä (1948, Seven Brothers) showed his skill to create a language entirely his own.
"Evig lever jag.
Diktonius's last collections of poems, Annorlunda (1948) and Novembervår (1951) witnessed the author's emotional tiredness, with few exceptions, among them a poem about his dead mother; she died in 1940. Most of the final decade of his life Diktonius spent in hospitals and sanatoriums. With his wife he went in 1956 to Sochi, Russia, but eventually he stopped traveling because he could not afford it. In the 1950s he published several selections and collections of his works, among them Dikter (1955), Prosa (1955) and Meningar (1957). Diktonius died on September 23, 1961, in Helsinki.
For further reading: Den unge Diktonius by Olof Enckell (1946); 'The Postwar Novel of Swedish Finland' by G.C. Schoolfield, in Scandinavian Studies, 34, pp. 85-110 (1962); Romantik och marxism: Estetik och politik hos Otto Ville Kuusinen och Elmer Diktonius by Thomas Henrikson (1971); 'The Birth of Finland-Swedish Modernism' by J. Wrede, in Scandinavica, 15, pp. 73-103 (1976); Diktonius: modernisti ja säveltäjä = Diktonius som tonsättare by Matti Vainio (1976); Expressionisten Elmer Diktonius by Bill Romefors (1978); Columbia Dictionary of Modern European Literature, ed. by Jean-Albert Bédé and William B. Edgerton (1980); Elmer Diktonius by G.C. Schoolfield (1980); Kapinalliset kynät by Raoul Palmgren I-III (1984); 'Avantgardet i öster' by Clas Zilliacus , in Den Svenska Litteraturen, Vol. 5 (1989); A History of Finland's Literature, ed. by George C. Schoolfield (1998); Poesi som rörelse i tiden: om vers som källa till kognitiv rytmisk respons: exemplet Elmer Diktonius by Jörgen Larsson (1998); Diktonius: Elämä by Jörn Donner (2007)