  Choose another writer in this calendar: by name: by birthday from the calendar. TimeSearch |
|
Lewis Carroll (1832-1898) - pseudonym of Charles Lutwidge Dodgson |
|
English logician, mathematician, and novelist, best-known for his classic fantasy novels Alice's Adventures in Wonderland (1865) and its sequel Though the Looking-Glass (1871). Unlike other children's books of the time, written in the atmosphere of rigid morality of the Victorian era, the Alice books did not try to teach a moral message. So she sat on, with closed eyes, and half believed herself in Wonderland, thouogh she knew she had but to open them again and all would change to dull reality — the grass would be only rustling in the wind, and the pool rippling to the waving of the reeds — the rattling teacups would change to tinkling sheep-bells, and the Queen's shrill cries to the voice of the shepherd boy — and the sneeze of the baby, the shriek of the Gryphon, and all the other queer noises, would change (she knew) to the confused clamour of the busy farm-yard — while the lowing of the cattle in the distance would take the place of the Mock Turtle's heavy sobs. (from Alice's Adventures in Wonderland, with forty-two illustrations by John Tenniel, London: Macmillan and Co., 1866, pp. 191-192) Lewis Carroll was born Charles Lutwidge Dodgson at Daresbury in Chesire. His father, the Reverend Charles Dodgson, was at that time Curate of the parish. In 1827 he had married his first cousin Frances Jane Lutwidge, Charles was their third child. Dodgson attended a Yorkshire grammar school and Rugby. At Christ Church, Oxford, he studied mathematics and worked from 1855 to 1881 as a lecturer (tutor). Dodgson's career in education was troubled by a bad stammer. He lectured and taught with difficulty – he had a relatively high-pitched voice – and he also preached only occasionally after his ordination in 1861. "The hesitation" as he called it, was worse when he was tired. Dodgson hardly ever spoke of his own childhood; his nephew Stuart Dodgson Collingwood mentions his uncle was
exceptionally sensitive and shy. This has been associated with his attitude to his own appearance. Dodgson's actress friend, Isa Bowman, told that when he saw her drawing a picture of him, Dodgson "got
up from his seat and turned very red, frightening me very much. Then he
took my poor little drawing, and tearing it into small pieces, threw it
into the fire without a word." (The Mystery of Lewis Carroll: Discovering the Whimsical, Thoughtful and Sometimes Lonely Man Who Created Alice in Wonderland by Jenny Woolf, New York: St. Martin's Press, 2010, p. 71) Whatever the season, he hid his hands
within a pair of gray-and-black cotton gloves. In 1867 Dodgson travelled with his friend and colleague Henry Parry Liddon to Russia, where they visited churches, museums and other places of interest. After this journey, he never again left Britain. Dodgson died on January 14, 1898. He was buried in Guilford Cemetery. Despite his stammer, Dodgson could converse easily with children, whom he often photographed. His photograph of Alice as beggar-child (1858), in which she wears ripped clothes and is barefooted, is one of the most famous – and notorious – Victorian images of a child. But it was admired in its day by many people, including Tennyson. A copy of it was preserved by Alice's family. From July 1866, Dodgson began to take nude photographs, always with the permission of parents. During the next thirteen years, Dodgson took many nude studies, but before he died, he destroyed most the negatives and prints. Dodgson was careful not to show them to anybody. Dodgson had seven sisters. Although his attraction to young girls was well-known, he followed in their company the strict Victorian rules of behavior and morals, even if his feelings were more intense than he acknowledged in his diaries. He also had long friendships with mature women, but remained a bachelor. This side of his life has remained little examined. However, Karoline Leach has criticized in her book In the Shadow of the Dreamchild (1999) the Freudian mythology and the "strange incestuous kind of immortality" created around the author and the real-life Alice. According to a popular story, Dodgson began to tell a long story to Alice Liddell – on July 4, 1862, on a blazing summer afternoon – and spontaneously improvised the tale of Alice's Adventures in Wonderland. Possibly the trip never took place on that day; it was cool, overcast and rainy. In reality the book, ased on tales told during several outings, was a laborious process that took years. Alice (died in 1934), Dodgson's ideal child friend, was the daughter of Henry George Liddell, the head of his Oxford college. The friendship with the Liddell family ended abruptly in June 1863, two years before Wonderland was published, and Dodgson turned his attention to other young friends. It was rumored that Dodgson had proposed marriage to Alice, aged eleven; for females the legal age to marry was twelve. However, the cause of the break between Dodgson and the Liddells is a mystery. Dodgson's relationship with the family remained formal, but in 1870 Mrs. Liddell brough Alice and her sister Ina to Dodgson's studio to be photographed. When Alice married Reginald Gervis Hargreaves in 1870, he gave the couple a watercolor of Tom Quad, one of the quadrangles of Christ Church in Oxford. Alice was absent from his funeral, no Liddells attended the ceremony. Originally the first Alice book appeared under the title Alice's Adventures Under Ground. The story centers on the seven-year-old Alice, who falls asleep in a meadow, and dreams that she plunges down a rabbit hole, where finds herself first too large and then too small. She meets such strange characters as Cheshire Cat, the Mad Hatter, the March Hare, and the King and Queen of Hearts, and experiences wondrous, often bizarre adventures, trying to reason in numerous discussions that do not follow the usual paths of logic. Finally she totally rejects the dream world and wakes up. The sequel, Through the Looking Class (1871), is perhaps more often quoted than the first, featuring the poems Jabberwocky and The Walrus and the Carpenter. The artist John Tenniel refused to illustrate one chapter in Through the Looking Class because he thought that it was ridiculous. This chapter was published later in 1872 as The Wasp in a Wig. Dodgson himself always wished to be an artist and as a boy he illustrated all the manuscript magazines, which he made for his younger brothers and sisters. Dodgson's original drawings for Alice's Adventures Underground were published in 1961. The author's life and work has become a constant area for
speculation and his exploring of the boundaries of sense and nonsense
has inspired a number of psychological studies and novels – and perhaps
also the famous English philosopher Ludwig Wittgenstein. The humor of
Joseph Heller's famous war novel Catch-22 (1961) is much in
debt to Dodgson. In Catch-22
the story centers on the USAF regulation, which suggests that
willingness to fly dangerous combat missions must be considered insane,
but if the airmen seek to be relieved on grounds of mental reasons, the
request proves their sanity. The same laws dominate the Wonderland:
""Oh, you can't help that," said the Cat: "we're all mad here. I'm mad.
You're mad." "How do you know I'm mad?" said Alice. "You must be," said
the Cat, "or you wouldn't have come here."" (Alice's Adventures in Wonderland, p. 90) "A typical infantile motif is the dream of growing infinitely small or infinitely big, or being transformed from one to the other," argued Carl Jung, "as you find, for instance, in Lewis Carroll's Alice in Wonderland." (Man and His Symbols by Carl Jung, and M.L. von Franz, Joseph L. Henderson, Joland Jacobi, Aniela Jaffé, New York: Dell, 1964, p. 38) Modern physicist have often compared the world of Lewis Carroll with the incredible phenomena of quantum reality – such as cats that are both alive and dead at the same time ('Schrödinger's cat') or with particles that change their identities for no apparent reason. They are against Alice's common sense, as she expresses in Though the Looking-Glass: "Alice laughed. "There's no use trying," she said: "one can't believe impossible things."" (Through the Looking-glass, and What Alice Found There, with fifty illustrations by John Tenniel, London: Macmillan and Co., 1872, p. 100) But the White Queen has her own principles – her absurd world is not ruled by laws of logic: ""Why, sometimes I've believed as many as six impossible things before breakfast. There goes the shawl again!"" (Ibid., p. 100) At the time of their publication, Alice's adventures were considered children's literature, but now Dodgson's stories are generally viewed in a different light. His work has fascinated such critics as Edmund Wilson and W.H. Auden, and logicians and scientist such as Alfred North Whitehead and Bertrand Russell. Virginia Woolf remarked, "the two Alices are not books for children; they are the only books in which we become children." ('Generations of Re-generation: Re-creating Wonderland through Text, Illustrations, and the Reader's Hands' by Mou-Lan Wong, in Alice Beyond Wonderland: Essays for the Twenty-first Century, edited by Cristopher Hollingsworth, 2009) In the 1960s rock musicians and hippies were attracted to the surrealistic world Wonderland, which inspired such songs as Jefferson Airplane's 'White Rabbit' and The Beatles's 'I am a Walrus'. Fredric Brown used Lewis Carroll's characters and lyrics in his novel Night of the Jabberwock (1950). Some lines of the poem inspired the Monty Python movie from 1977, directed by Terry Gillam. "It's a monster film with heart, a movie romance with bite, a costume picture without zippers, and a comedy with more blood and gore than Sam Peckinpah would dare use to dramatize the decline and fall of the entire West." (Vincent Canby, The New York Times, April 16, 1977) In the 1990s Jeff Noon continued Alice's adventures in Automated Alice, in which she is transported to the modern world. Dodgson also wrote mathematical works, of which Condensation of Determinants (1866) and An Elementary Treatise On Determinants (1867) established his fame as a significant mathematical theorist. Moreover, Dodgson was a rather exceptional student of Aristotelian logic, and he delighted his friends with games, puzzles and riddles. Dodgson's mock-heroic poem, The Hunting of the Snark (1876), ending with the line "For the Snark was a Bojuum, you see", received mixed reviews when it came out. The meaning of the poem, which tells of the journey to capture the mythical Snark, has fascinated generations of readers. Many believe that there is a puzzle to be solved. "I'm very much afraid I didn't mean anything but nonsense!" Dodgson later said. In the Oxford-set crime drama Inspector Lewis, Detective Sergeant James Hathaway argued in the episode 'The Soul of Genius' (2012), that "It’s a profoundly theological piece of work."
|
