 
Choose another writer in this calendar: by name: by birthday from the calendar.
TimeSearch |
|
Lloyd C(assell) Douglas (1877-1951) |
|
American writer who published popular novels about religious and moral issues. Douglas produced his first novel, Magnificent Obsession (1929), at the age of 52. It was a huge success, although the work had been rejected by two major publishers, Harper & Brothers and Doubleday. Issued by a small religious publishing house of Willett, Clark and Colby, Magnificent Obsession sold in a few years three million copies. In the 1930s, Douglas was one of the most popular novelist in the United States. His other novels include The Robe (1942), which was made into a lavish Technicolor film in 1953, starring Richard Burton, Jean Simmons, and Victor Mature. It received five Academy Award nominations and won two. The novel remained at the head of the bestseller list for nine months. "Most of the people they knew were in a constant dither about their slaves; buying and selling and exchanging. It wasn't often that Father disposed of one; and when, rarely, he had done so, it was because the slave had mistreated another over whom he has some small authority. They had lost an excellent cook that way, about a year ago. Minna had grown crusty and cruel toward the kitchen crew, scolding then loudly and knocking them about, She had been warned a few times. Then, one day, Minna had slapped Tertia. Lucia wondered, briefly, where Minna was now. She certainly did know how to bake honey cakes." (from The Robe) Lloyd Cassell Douglas was born in Columbia City, Indiana, the son of Alexander Jackson Douglas, a country parson, and Sarah Jane (Cassel) Douglas. He was educated as a minister at Wittenberg Seminary in Springfield, Ohio. After his ordination, he served as pastor in North Manchester, Indiana. In 1904, he married Bessie Lo Porch, a minister's daughter. They two daughters, Besse and Virginia, who later published a biography on their parents. In
1905, Douglas moved to Lancaster, Ohio, and in 1908 to
Washington, D.C.
From 1911 to 1915, he was chaplain and director of religious work at
the University of Illinois. At the same time Douglas switched form
Lutheran to the Congretional churc. Later Douglas became a pastor of
First
Congretional Church in Ann Arbor, Michigan. Many of the students from nearby University of Michigan attended his sermons, famous for the lively narrative style. After living in college towns, Douglas spent many years as the pastor of churches in Akron, Montreal, and Los Angeles. Much of the knowledge of medical terminology and procedures of his books, Douglas picked up while conducting pastoral care visits to patients at Midwestern teaching hospitals. Douglas finished Magnificent Obsession while he was
living in Los Angeles and it came out just after the market crash of
1929. After 45 printings, Willett, Clark, and Colby sold their right to
Houghton Mifflin. In 1931, the work reached the bestseller list. Upon
its success, Douglas
retired from the ministry in 1933, to write more
novels, in which the spiritual message was more important than what was
considered as "good literature." He even enjoyed his position as a
successful writer of lowbrow fiction. During his new career, Douglas formed his own notions of the craft, such as: "Never start a chapter with conversation. Always start a new page with some care. Start with a paragraph of three or four lines without conversation. Minor characters must be endeared at once ..." ('Lloyd C. Douglas: Best-selling author of The Robe, Green Light, Magnificent Obsession is a specialist in miracles whose own career is a major literary miracle' by Noel F. Busch, Time, May 27, 1946.) Douglas usually wrote 3,000 words a day, of which 1,500 were often rewrite of the previous day's chore. In spite of public's enthusiasm, Magnificent Obsession
received mixed reviews in literary journals. Edmund Wilson said that
"Instead of the usual trash aimed at Hollywood and streamlined for the
popular magazines, one is confronted with something that resembles an
old-fashioned novel for young people." (Time, May 27, 1946) The novel introduced themes that
constantly appeared in the author's books – a medical setting, the
wealthy background, the conversion of the atheist hero to a practicing
Christian due to feelings of guilt – and in this particular story, when
Robert Merrick, a rich playboy, causes the death of an eminent brain
surgeon, Wayne Hudson. He is a genius, who believes that if man harbors
any sort of fear, no matter how benign and apparently harmless, it
percolates through all his thinking and damages his personality. One of
the characters says, "whoever loveth a genius is out of luck with his
devotion except he beareth all things, endureth all things, suffered
long and is kind." When reviewed from today's perspective, book has not held up well at all. "Robert Merrick in Lloyd Douglas' Magnificent Obsession,
a typical medical miracle worker, begins his adult life as a very
convincing playboy. After an improbable Pauline conversion, Merrick
decides on a career change and turns into (what else?) a brain surgeon.
Within a few weeks of graduation he has inventedan electrocautery
apparatus, which he uses to restore his future wife's eyesight." (The Doctor in Literature: Satisfaction or Resentment? by Solomon Posen, 2005, p. 149) Doctor Hudson's Secret Journal (1939) was a prequel
to Magnificent Obsession.
Medical practice among the poor did not appeal to Dr Hudson, or as he
states: "I made very little effort to disguise my aversion to the dull
and dirty patient who grimly applied for . . . [the] benefits of the
Free Clinic." Forgive Us Our Trespasses
(1932), a bildungsroman of a young man, had "better treatment at the
hand of the critics than I deserved or expected," said Douglas in The Shape of Sunday (1952). Some of Douglas's books have been adapted to screen, Magnificent Obsession twice. Frank Borzage's Green Light (1937), starring Errol Flynn, was a medical melodrama. After Captain Blood (1935) and The Charge of the Light Brigade (1936), Flynn was labelled a swashbuckler, but in Green Light he was a protegé of a famous surgeon, Dr. Endicott, and takes the blame when Endicott's patient dies. "I am not constituted for noble sacrifice or suffering and so I don't think the character was really the best I could have been given," said Flynn. (Errol Flynn: The Life and Career by Thomas McNulty, 2004, p. 44.) The Robe (1942), written in the tradition of Ben Hur (1880) by Lew Wallace and Quo Vadis by Henryk Sienkiewicz (1896), sold millions of copies. The idea for the novel came from a woman in Ohio, who asked Douglas if he had ever heard the legend of the Roman soldier, who won Jesus' robe through a dice game after the crucifixion. "It set me think and I decided to do a little story about it." The Robe gained also a wide audience as the first film in Cinemascope. Douglas had sold the screen right in 1942, while still working on the novel, but it took 11 years before the screen adaptation was ready for public viewing. The title of the book refers to the crusifixion garment worn by Jesus. The protagonist of the story is a young Roman soldier, Marcellus, in charge of the Crusifixion, who wins in a dice game Christ's robe. Marcellus then starts to his quest to find the truth about Jesus, and eventually becomes a convert and a martyr in Colosseum to the new religion. Richard Burton, acting as Tribune Marcellus Gallio in the film version – in a short Roman mini skirt – was in his first great role; Jay Robins was Galicula. Burton had only relatively little film experience but he threw himself wholeheartedly in his role, and even slept in his togas at home. Albert Maltz, who wrote the original screenplay, was blacklisted by Hollywood studios, and his name was removed from the script. Maltz's credits were not restored until the 1990s. John Belton has argued that the film "casts Caligula as a witch-hunting, McCarthyesque figure and the Christians are persecuted victims of his demonic attempts to purge the Roman empire of potentia subversives." (Film Criticism, the Cold War, and the Blacklist: Reading the Hollywood Reds by Jeff Smith, 2014, p. 173.) Douglas once said in an interviews, that "If my novels are entertaining I am glad, but they are not written so much for the purpose of entertainment as of inspiration." His last novel, The Big Fisherman (1948), shared the same New Testament world of Palestine and Rome and focused on Jesus, Peter, and a pair of young lovers, Esther and Voldi. The Roman world of the early Christian Church is carefully drawn. For a modern reader, the style is perhaps too tendentious. Douglas's main purpose was to present a Christian thesis in the form of a novel and include in the gospel narratives the aspect of human interest. On the other hand, his works were not overly didactic and his Midwestern characters value common sense and practical experience. After the death of his wife in 1944, Douglas moved from Bel-Air, California, to the wing of a house belonging to his daughter Betty and her husband, on the outskirts Las Vegas, Nevada. Unhappy with the production of The Robe, Douglas did not allow this sequel to be made into a motion picture during his lifetime. However, it was filmed in 1959 by Frank Borzage. Douglas's autobiography Time To Remember (1951), which also contained much of his philosophy, was continued by his two daughters in The Shape of Sunday (1952). Douglas died of a heart ailment in Los Angeles, on February 13, 1951. His last words were, "I'm happy." Douglas was buried in the Sanctuarity of the Good Shepherd at Forest Lawn Memorial Park in Glendale, California. For further reading: The Shape of the Sunday: An Intimate Biography of Lloyd C. Douglas by V.D. Dawson and B.D. Wilson (1952); Seventy Years of Best Sellers by A.P. Hackett (1967); Whitley County and Its Families: 1835-1995 by Turner Publishing (1995); Dictionary of Midwestern Literature: Volume One: The Authors, edited by Philip A. Greasley (2001); 'Lloyd Douglas: Raising White Banners over Disputed Passages - Writing as Craft and Collaboration,' in The Rise of Corporate Publishing and Its Effects on Authorship in Early Twentieth-century America by Kim Becnel (2008); 'Douglas, Lloyd C.,' in Encyclopedia of Contemporary Christian Fiction: From C.S. Lewis to Left Behind by Nancy M. Tischler (2009) - Other priests and ministers, who were also writers: Jonathan Swift (however, he did not gain fame with religious novels); Ralph Waldo Emerson (Unitarian ministry) Selected works:
|
