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||Ismail Kadaré (1936- )|
Albanian writer, frequently mentioned as a candidate for the Nobel Prize in Literature, a leading figure of Albanian cultural life from the 1960s. During the terror of the Hoxha regime, Kadaré disclosed the true character of totalitarian rule and doctrines of socialist realism with subtle allegories, although as a committed Marxist he officially supported the liberation of Albania from its backward past. Since 1990 Kadaré has lived in France. Kadaré's best-known works include The General of the Dead Army (1963), about an Italian general who is immersed in his absurd and gruesome mission in Albania. He never realizes that spiritually he is as dead as the fallen soldiers of past wars.
"The bodies of tens of thousands of soldiers buried beneath the earth had been waiting so many long years for his arrival, and now he was here at last, like a new Messiah, copiously provided with maps, with lists, with the infallible directions that would enable him to draw them up of the mud and restore them to their families. Other generals had led those interminable columns of soldiers into defeat and destruction. But he, he had come to wrest back from oblivion and death the few that remained. He was going to speed on from graveyard to graveyard, searching every field of battle in this country to recover those who had vanished. And in his campaign against the mud he would suffer no reverses; because at his back he had the magic power conferred by statistical exactitude." (from The General of the Dead Army)
Ismail Kadaré was born in the museum-city of Gjirokastra, in southern Albania. His father worked in the civil service. Kadare grew up during the years of World War II, witnessing the occupation of his home country by fascist Italy, Nazi Germany, and the Soviet Union. He attended primary and secondary schools in Gjirokastra, and went on to study languages and literature at the Faculty of History and Philology of the University of Tirana. In 1956 Kadaré received a teacher's diploma. He also studied in Moscow at the prestigious Gorky Institute of World Literature, founded in 1932. A collection of his poetry was translated into Russian with a preface by the poet David Samoilov, but the institute failed to make him a Socialist Realist. Kadare recalled his experiences in the novel Le Crépuscule des dieux de la steppe (1981), in which the protagonist is adviced not to say a word about Boris Pasternak's Doctor Zhivago.
In 1961 Albania broke with the Soviet Union, and finally with all other Socialist countries, including China. From the cultural standstill arose a new generation of writers, among them Kadaré, Fatos Arapi, and Dritėro Agolli, who was for many years head of the Albanian Union of Writers, although his work was occasionally felt to be out of touch with the party line. In Albania Kadaré first won fame as a poet at the same time when writers hostile to Hoxha suffered persecution. Kadare's attitude to the Hoxha regime was ambiguous. His first novel, Gjenerali i ushtrisė sė vdekur (1963, The General of the Dead Army), is a study of postwar Albania and begins in a pouring rain.
The general of the title is on a mission to Albania, years after the occupation and war, to dig up and repatriate the bones of his fellow soldiers, who had died in the country during World War II. "I have a whole army of dead men under my command," he realizes bitterly. Before completing his work, the general suffers a nervous breakdown in a wedding feast. Dasma (1968, The Wedding) was well received in Albania. The heroine of the novel, a young peasant girl, is rescued from a traditional arranged marriage by factory work. She meets and marries a man she loves, thus breaking the traditions.
Kadaré served as a delegate to the People's Assembly in 1970 and he was given freedom to travel and to publish abroad. Kadaré's Chronicle in Stone (1971) was praised by John Updike in The New Yorker as "sophisticated and accomplished in its poetic prose and narrative deftness". In Kėshtjella (1970, The Castle), a story of Albania's struggle against the Ottoman Turks, and Ura me tri harqe (1978, The Three-Arched The Bridge), an account of the events surrounding the construction of a bridge across a river, Kadaré depicted the feudal Albania. After offending the authorities with 'The Red Pashas' (1975), a politically satirical poem, he was subjected a self-criticism session at the Writers' Union and forbidden to publish for three years. Kadaré has admitted that The Great Winter (1977), which flattered Enver Hoxha, was written in an attempt to avoid confrontation with the authorities.
In Broken April (1978), a story about the blood feud, Kadaré returned to one of his favorite themes – how the past affects the present, this time exemplified by the unwritten law of Kanun. Acting upon the eye-for-eye principle, Gjorg Berisha avenges the murder of his brother, but in so doing he also seals his own fate. "Gjorg came out of the concealment and walked towards the body. The road was deserted. The only sound was the sound of his own footsteps. The dead man had fallen in a heap. Gjorg bent down and laid his hand on the man's shoulder, as if to wake him. 'What am I doing?' he said to himself. He gripped the dead man's shoulder again, as if he wanted to bring him back to life. 'Why am I doing this?' he thought."
Kadare's major themes include the historical experience of the Balkan peoples, the Communist experiment in Albania, and the representations of the classical myths in modern contexts. Nėnpunėsi i pallatit tė ėndrrave (1981, The Palace of Dreams) was a political allegory of totalitarianism, set in an Ottoman capital. The central character is a young man, Mark-Alem, whose job is to select, sort, and interpret the dreams of the imperial populace in order to discover the "master-dream" that will predict the overthrow of the rulers. This basically humorous novel for others than the Albanian authorities was almost immediately banned after its publication. In 1982 Kadaré was accused by the president of the League of Albanian Writers and Artists of deliberately evading politics by cloaking much of his fiction in history and folklore.
Hoxha died in 1985, and his successor, Ramiz Ali, was a less
powerful figure. The Successor
(2003), a thriller, was loosely based on the suspected suicide of
Mehmet Shehu, who was long regarded as Hoxha's right-hand man. Kadaré
plays with the complex relationship between the Designated Successor,
living in a constant fear of a political error, and the dictator
(called the Guide in the novel), who can't
trust anyone. At the novel's end the Successor himself reveals in his
interior monologue, what really happened on the night of his death.
"The events of this novel draw on the infinite well of human memory,"
Kadaré wrote in the beginning, "whose treasures may be brought to the
surface in any period, including our own."
A few months before the collapse of the communist regime, Kadaré emigrated to Paris where he has lived with his family ever since. In 2005 Kadaré was awarded the Man Booker International Prize and in 2015 he receieved the prestigious Jerusalem prize. Several of Kadare's books have been adapted to the screen. Broken April has been filmed three times. A film version of The General of the Dead Army, entitled Il generale dell'armata morte (1983), was made in Italy, starring Marcello Mastroianni as General Ariosto. Shirin Neshath, who won the Silver Lion for Best Director at the Venice Film Festival in 2009, has optioned The Palace of Dreams for her second film.
Kadare's Koncert nė fund tė dimrit (1988, The Concert)
was considered the best novel of the year 1991 by the French literary
magazine Lire. The story is laid against Albania's break with
China. In exile Kadaré has expressed his disappointment and bitterness.
La Pyramide (1992), written in French, was set in Egypt in
the twenty-sixth century B.C. and after. Kadaré mocked Hoxha's fondness
for elaborate statutes, the pyramid form also reflecting any dictators
love for hierarchy. The Accident (2010) was a multilayered
novel about two lovers, whose death launches an investigation not only
of their relationship, but also of Balkan politics. A playwright is questioned about the death of a young girl in A Girl in Exile
(E punguare, 2009); the novel also touches on the myth of Orpheus and
Eurydice. Kadare's short autobiographical novel, Kukulla (2015, The Doll), is centered on the relationship between narrator and his mother, the Doll of the title.
For further reading: Ismail Kadare, le rhapsode albanais by Anne-Marie Mitchel (1990); Eric Faye: Ismail Kadare by Eric Faye (1991); Contemporary Albanian Literature by A. Pipa (1991); Ismail Kadare by Fabienne Terpan (1992); Uviversi letrar i Kadaresė by T. Caushi (1993); Kadareja i panjohur by E. Naumi (1993); Ekskursion nė dy vepra tė Kadaresė by I. Zamputi (1993); Njė fund dhe njė fillim by R. Elsie (1995); World Authors 1985-1990, ed. by Vineta Colby (1995); Studies in Modern Albanian Literature and Culture by R. Elsie (1996); Pengu i moskuptimit by S. Sinani (1997); Encyclopedia of World Literature in the 20th Century, vol. 3, ed. by Steven R. Serafin (1999); Ismail Kadare: The Writer and the Dictatorship, 1957-1990 by Peter Morgan (2010); Visages d'Ismail Kadaré by Ariane Eissen (2015) - Note: Kadaré's birthdate is in some sources Jan. 28, 1936 or Jan. 26, 1936. In this calendar: Jan. 27, 1936. - For further information: Poezi Shqip / Ismail Kadare