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||Nikos Kazantzakis (1885-1957)|
Prolific Greek writer, whose works include essays, novels, poems, tragedies, travel books, and translations of such classics as Dante's The Divine Comedy and J.W. von Goethe's Faust. Like his hero, Odysseus, Kazantzakis lived most of his artistic life outside Greece - except for the years of World War II. "I am a mariner of Odysseus with heart of fire but with mind ruthless and clear," Kazantzakis wrote in Toda Raba (1934). Several of the author's novels deal with the history and culture of his own country, and the mystical relationship between man and God. In 1957 he lost the Nobel Prize by a single vote to the French writer Albert Camus.
"Having seen that I was not capable of using all my resources in political action, I returned to my literary activity. There lay the the battlefield suited to my temperament. I wanted to make my novels the extension of my own father's struggle for liberty. But gradually, as I kept deepening my responsibility as a writer, the human problem came to overshadow political and social questions. All the political, social, and economic improvements, all the technical progress cannot have any regenerating significance, so long as our inner life remains as it is at present. The more the intelligence unveils and violates the secrets of Nature, he more the danger increases and the heart shrinks." (from Nikos Kazantzakis by Helen Kazantzakis, 1968)
Nikos Kazantzakis was born in Megalokastro, Ottoman Empire, now Iráklion, Crete, the son of Michael Kazantzakis, a farmer and dealer of in animal feed, and his wife, the former Maria Christodoulzki. Kazantzakis was raised among peasants and although Kazantzakis left Crete as a young man, he returned to his homeland constantly in his writings. He attended the Franciscan School of the Holy Cross, Naxos, and the Gymnasium at Herakleion (1899-1902). Kazantzakis then studied four years at the University of Athens, becoming Doctor of Laws in 1906.
From 1907 to 1909 Kazantzakis studied philosophy in Paris at
the Collège de France under Henri Bergson.
He followed Bergson in his belief that there is an élan vital driving life. They
both took a critical stand towards abstractions and saw that
genuine knowledge can be acquired through intuition. His first book, Ophis kai krino , which came out
in 1906), portrayed a fin de siècle aesthete, whom prefers death over
mundane life. A laudatory review of the novel by Dimitrios
Kaloyeropoulos, a journalist and author, was published in the
conservative periodical Pinakothiki.
Between the 1910s and 1930s Kazantzákis wrote dramas, verse and travel books, and travelled widely in China, Japan, Russia, England, Spain, and other countries. Restlessly moving on, he came to identify himself with Odysseus, writing in a poem: "Hail, my soul, whose homeland has always been the journey."
Kazantzakis spent many years in public service. In 1919 he was appointed director general at the Greek Ministry of Public Welfare. By 1927, when Kazantzakis resigned from this post, he had been responsible for the feeding and eventual rescue of more than 150 000 people of Greek origin, who had been caught up in the civil war raging in the Caucasian region of the Soviet Union. Though never a member of the Communist party, Kazantzakis sympathized leftist movements in the early phase of his life and was awarded the Lenin Peace Prize later. However, after three journeys in the Soviet Union in the 1920s, he became disenchanted with the materialism of the Bolsheviks. The basis of his own philosophy, which contained elemests from Bergson, Marxism, Nietzsche, Christianity, and Buddism, Kazantzakis presented in Salvatores Dei (1927), written in 1922-23 in Berlin. "We come from a dark abyss, we end in a dark abyss, and we call the luminous interval life," were his much quoted opening words in the book.
Kazantzakis's first novel, Toda Raba, was published in French when he was 51. His vast and rambling epic poem Odysséas (1938) continued the Homer's tale. Kazantzakis himself considered it his major achievement, dismissing other works as "spin-offs". Before WW II Kazantzakis settled on the island of Aegina, and in 1948 he moved to Antibes, southern France. After the war, he served as a minister in the Greek government of Aegina. In 1947-48 he worked for UNESCO. Kazantzákis died of leukemia on October 26, 1957, in Freiburg im Breisgau, in Germany. Helen Kazantzakis, his wife, tells in the author's biography that he always had as his traveling companion a miniature Dante, and Dante alone remained at his bedside until his last breath.
Although Kazantzakis published a number of his novels in
his most celebrated works were composed in the colloquial language of
the Cretan working classes. Zorba the Greek,
novel, was written on the island of Aegina, between 1941 and 1943. It
was made into a popular and highly successful movie by Michael
Cacoyannis, and inspired the
Broadway musical by Joseph Stein, John Kander, and Fred Ebb. Through
this film, for which Mikis Theodorakis wrote the music, the bouzoúki found worldwide fame and became the symbol of the Greek tourist industry. ('Bouzoúki' by Panayotis Panapoulos, in Continuum Encyclopedia of Popular Music of the World: Volume II, edited by John Shepherd, David Horn, Dave Laing, Paul Oliver, Peter Wicke, 2003, pp. 411-412)
The story focuses on the relationship of a writer and intellectual, modelled on Kazantzakis, and an uneducated man, Zorba, who drinks, works, loves and lives like a force of nature. His character has been seen as the personification of Henri Bergson's ideas of élan vital. He doesn't care about books, he values more experience and understanding than scholarly learning. The narrator meets Alexis Zorba in Pireus. He plans to reopen on the island of Crete an abandoned mine and Zorba becomes his foreman. Kazantzakis weaves the narrator's childhood memories and thoughts against the life and teaching of Zorbas. After a series of tragedies, failures and small victories, the narrator leaves Crete, but asks his friend to teach him to dance. "How simple and frugal a thing is happiness: a glass of wine, a roast chestnut, a wretched little brazier, the sound of the sea." (from Zorba the Greek) The Irish-Mexican macho actor Anthony Quinn, who has been hailed as the perfect cast for the role of Zorba in Cacoyannis' adaptation, was rhythm-deaf, but he believed he could do anything. His famous syrtaki dance, seemingly improvisational, was "constructed" especially for the film by choreographer Giorgos Provias.
Freedom or Death was based on the Cretan revolt of
1889, one of the final rebellions against Turkish rule. One of the
central characters is Captain Mikalis, who chooses rebellion instead of
love, and dies in the middle of his cry, "Freedom or..." Kazantzakis
shows also understanding of the Turkish culture in the character of
Nuri bei, who commits suicide. The Greek Passion was story
about a group of villagers under Turkish domination, who re-enact the
Passion. The Last Temptation of Christ explored the theme of
the battle between spirit and flesh. The book was banned by Vatican in
1954 and in 1955 Kazantzakis was excommunicated from the Greek Orthodox
Church. The members of the Orthodox Church of America damned the work
as extremely indecent and atheistic, after admitting that they hadn't
read it and had based their case on the magazine articles. Kazantzakis
presented Christ as an existential hero, a rebel against his divine
mission until he is awakened by Judas, whom he calls his brother. Judas
tries to same in Jerusalem, but his heroic struggle against God ends in
failure. Martin Scorsese's film adaption from 1988 boosted the sale of
Kazantzakis's major work was the enormous poetic work Odyssey: A Modern Sequel, 33 333
lines long, which he wrote seven
times and published in 1938. The poem manifested the
author's deep knowledge of modern archeological and anthropological
discoveries. Some critics accused the author of being too
revolutionary in vocabulary and diction.
Kazantzakis himself emphasized that the work was a synthesis of two
forms of thought, which had created the ancient Greek civilization: the
Apollonian, representing contemplation and order, and the dark
Dionysian underground stream, the expression of the elan vital. "Crete, for me . . . is
the synthesis which I always pursue, the synthesis of Greece and the
Orient," he said.
For further reading: Nikos Kazantzakis and His Odyssey by P. Prevelakis (1961); Nikos Kazantzakis by H. Kazantzakis (1968); Nikos Kazantzakis: La vie, son oeuvre by C. Janiaud-Lust (1970); Kazantzakis and the Linguistic Revolution in Greek Literature by P. Bien (1972); Nikos Kazantzakis by P. Bien (1972); Nietzsche and Kazantzakis by B.T. McDonough (1978); The Spiritual Odyssey of Nikos Kazantzakis, ed. by K. Friar (1979); The Cretan Glance by M.P. Levitt (1980); Tormented by Happiness by P. Bien (1982); Kazantzakis: Politics of the Spirit by P. Bien (1988); The Last Temptation of Hollywood by L.W. Poland (1988); God's Struggler, ed. by Darren Middleton and Peter Bien (1996); Kazantzakis and God by Daniel A. Dombrowski (1997); Creative Destruction: Nikos Kazantzakis and the Literature of Responsibility by Lewis Owens (2002); Kazantzakis: Politics of the Spirit by Peter Bien (2006); 'The "Invisible" Dimension of Zorba's Dance' by Magda Zografou and Mimina Pateraki, in Yearbook for Traditional Music, Vol. 39 (2007); In Search of Transcendence: Kierkegaard, Wittgenstein, Kazantzakis by Jerry H. Gill (2017)