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||Niccolò Machiavelli (1469-1527)|
Italian political thinker and historical figure at the turning point of the Middle Ages and the Modern World. Machiavelli stated in The Prince, the then revolutionary and prophetic idea, that theological and moral imperatives have no place in the political arena. "Men are always wicked at bottom unless they are made good by some compulsion." With Hobbes (1588-1679) Machiavelli is considered one of the great early modern analyzers of political power.
"Hence it is to be remarked that, in seizing a state, the usurper ought to examine closely into all those injuries which it is necessary for him to inflict, and to do them all at one stroke so as not to have to repeat them daily; and thus by not unsettling men he will be able to reassure them, and win them to himself by benefits. He who does otherwise, either from timidity or evil advice, is always compelled to keep the knife in his hand; neither can he rely on his subjects, nor can they attach themselves to him, owing to their continued and repeated wrongs. For injuries ought to be done all at one time, so that, being tasted less, they offend less; benefits ought to be given little by little, so that the flavour of them may last longer." (in The Prince, 1515)
Niccolò Machiavelli was born in Florence, Italy. Little is known of his early life, although he once described his background: "I was born in poverty and at an early age learned how to endure hardship rather than flourish." Niccolò's father, Bernardo di Niccolò di Buoninsegna, belonged to an impoverished branch of an influential old Florentine family. Bernardo was a lawyer and he had a small personal library that included books by Greek and Roman philosophers and volumes of Italian history. Bernardo died in 1500, Machiavelli's mother, Bartolomea de' Nelli, had died in 1496. Machiavelli married in 1501 Marietta Corsini. They had several children who died young or in infancy. One daughter and four sons reached adulthood.
"Machiavelli went on to read the ancient philosophers and, especially, historians: Thucydides, who told of the war between Sparta and Athens that tore Greece apart; Plutarch, who told of the lives of the great statesmen, generals, and lawmakers of ancient Greece and Rome; Tacitus, who recounted the corruption and perfidy of Tiberius, Caligula, and Nero; and above all, the work by Livy..." (in Niccolò's Smile: A Biography of Machiavelli by Maurizio Viroli, 2000)
Machiavelli might have been involved in overthrowing the Savonarolist government in 1498 – Girolamo Savonarola was executed just outside his office. Machiavelli was appointed head of the new government's Second Chancery, and secretary of an agency concerned with warfare and diplomacy (1498-1512). During these years he travelled on several missions in Europe for the Republic of Florence visiting Cesare Borgia (1502), Rome (1503, 1506), France (1504) and Germany (1507-08). "Remember to come back home," wrote Machiavelli's wife after his first son was born. Among Machiavelli's achievements was helping to set up a militia from the dominion territories, which reconquered Pisa in June 1509. Proud of the troops, he said that they were "the finest thing that had ever been arranged for Florence."
When the Medici family returned to power, it meant the end of the Florentine Republic. A pro-Medici parfty took over, and Machiavelli, the Secretary to the Second Chancery of the Signoria, was fired. Suspected of plotting against the Medici, he was jailed and tortured six times with the strappado – the victim was hoisted high into the air by a rope that tied his hands behind his back, and then dropped toward the floor. In his vermin-infested cell in Le Stinche, he wrote in a sonnet addressed to Giuliano de' Medici: "I have, Giuliano, on my legs a set of fetters, / with six pulls of the cord on my shoulders; my other miseries / I do not intend to recount on you, since so the poets are treated!" After 14 years of patriotic service, exiled to his farm in the village of Sant'Andrea in Percussina, Machiavelli found himself out of job. Most of his remaining years he spent on the small estate where he produced his major writings and quarreled with his neighbors.
As a thinker Machiavelli belonged to an entire school of Florentine intellectuals concerned with the examination of political and historical problems. His important writings were composed after 1512. Machiavelli achieved some fame as a historian and playwright, but with The Prince he hoped to regain political favor, to make himself "useful to our Medici lords, even if they begin by making me toll a stone," as he said in a letter.
Machiavelli had abandoned any further hopes of a diplomatic career, but he was partly reconciled with the Medici in 1519, and given various duties, including writing a history of Florence. He also participated in the meetings at Cosimo Rucellai's family gardens, held by a group of humanists and literati. His friends from the Rucellai circle, Zanobi Buondelmonti and Luigi Alamanni, played a leading part in a plot to assassinate Cardinal Giulio de' Medici (later Pope Clement VII), but Machiavelli was not implicated in the affair. However, in his treatise on The Art of War (1521), Buondelmonti and Alamanni were the chief interlocutors. When the Medici were deposed in 1527 Machiavelli hoped for a new government post. Now, however, he was distrusted by the republican government for previous association with the Medici.
Machiavelli died in Florence on June 21, 1527. Just a few weeks before his death, Rome fell to the poorly armed Spanish infantry. Machiavelli had foretold how such tragedy could be avoided but no one had listened to him.
political writings became more widely known in the second half of the
16th century. In 1564, when considered dangerous, they were placed on
the Church Index of officially banned books. Othello's ensign Iago in
Shakespeare's famous drama was partly based on the common misconception
of Machiavelli as a cynical defender of fraud in statecraft. In the
play Henry VI, Part III,
Richard III claims: "I can add colours to the chameleon; / Change
shapes with Proteus for advantages; / And set the murdrous Machiavel to
school. / Can I do this and cannot get a crown?" Machiavelli himself
admired Cesare Borgia (1476-1507), an able ruler, who was ruthless and
treacherous in war but a patron of artists, including Leonardo da
Although Machiavelli's songs and poems often expressed feelings of loss and sorrow, his plays reveal his humorous side. Many critics regard La Mandragola, a big hit at its time, as the best comedy of the Italian Renaissance. Popes and princes requested its performances at their courts. Shortly after its initial run at the Orti Oricellari, La Mandragola was staged for Pope Leo X and his cardinals in the Vatican in the spring of 1520. The storyline, which revolves around a slow-witted husband, young wife, lover, and love potion, was mostly borrowed from Boccaccio's Decameron. La Clizia, adopted from Plautus's Casina, did not gain similar popularity.
Discorsi sopra la prima deca di Tito Livio (1531) and Il Principe (1532, The Prince) are , Machiavelli's best known works. Their main theme is that all means may be used in order to maintain authority, and that the worst acts of the ruler are justified by the treachery of the government. "There is nothing more difficult to take in hand, more perilous to conduct, or more uncertain in its success, than to take the lead in the introduction of a new order of things." (in The Prince) Discorsi was written in direct opposition to Dante's De Monarchia, which defended the Pope and the Holy Roman Empire. Dante argued for unity, but Machiavelli saw that conflicts are the key to a state's succees. His model was the republican Rome, or his image of it, not the contemporary Christian Rome.
Many of Machiavelli's thoughts, as "it is much more secure to be feared, than to be loved" or "it is much safer for a prince to be feared than loved, if he is to fail in one of the two", have lived for centuries as slogans. And his notion "All armed prophets have conquered and unarmed ones failed" could be approved by contemporary fanatical religious leaders.
A Jesuit scholar, Antonius Possevinus (Antonio Possevino), who most likely had not read Machiavelli, attacked him in his 1592 Iudicum. Counter Reformation writers drew connections between Machiavelli and Luther. Moreover, he was presented as a teacher of atheism and vice. Il Principe was condemned by the pope, but its viewpoints gave rise to the well-known adjective machiavellian, synonym for political maneuvers marked by cunning, duplicity, or bad faith. Machiavelli draws upon examples from both ancient and more recent history and also uses his own insight gained during his observation of the Italian city-states and France. What distinguishes Machiavelli's manual from other such works, beginning from Cicero's essay De officiis (On Moral Duties, 44 BC) is the originality and practicality of his thinking. He did not adhere to classical virtues or religious principles, but separated fact from value and advocated a new constitutional order. Neither the attempts to interpret Machiavelli's ideas as first steps to democratic thought nor as examples of evil reflect a balanced view of his writing.
Il Principe was not published in English until 1640, but it was known to Elizabethan readers. Shakespeare referred to it in Henry VI, Part I, and in Henry VI, Part III, Gloucester says: "I can add colours to the chameleon, / Change shapes with Proteus for afdvantages, / And set the murderous Machiavel tom school." Innocent Gentillet's collection of maxims from the book, accompanied with an acerbic discussion, had appeared in English in 1602, and contributed to the distorted view of the work. The interest in Machiavelli has continued through the centuries, although contemporary scholarship may have its reservations about transforming his writings into prophecy or a manual of modern politics. However, in the United States Machiavelli's pragmatism has not been forgotten and Dick Morris, close to President Clinton, has written his own version of The Prince.