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||Wole Soyinka (1934-) - in full Akinwande Oluwole Soyinka|
Nigerian playwright, poet, novelist, and critic, first black African who was awarded the Nobel Prize for Literature in 1986. Soyinka has been imprisoned several times for his criticism of the government. From the 1970s he has lived long periods in exile. Soyinka's plays range from comedy to tragedy, and from political satire to the theatre of the absurd. He has combined influences from Western traditions with African myth, legends and folklore, and such techniques as singing and drumming.
"Soyinka probably would like to be recognized most especially as a dramatist and man of the theatre. He implied that much at the opening of his Nobel Prize acceptance speech (dedicated to Nelson Mandela) as he related back to a moment in the past, in his theatrical beginnings, to inform the crucial political situations of the present world order. This recognition would seem to be justified, considering his gamut of plays, but more especially so because in his drama can be located elements of his equally important literary forms..." (Femi Euba in Postcolonial African Writers, ed. by Pushpa Naidu Parekh and Siga Fatima Jagne, 1998)
Wole Soyinka was born in Abeokuta, southwestern Nigeria, which was then a British colony. The Soyinkas were members of the Yoruba tribe. His father, Samuel Ayodele Soyinka, was the headmaster of St. Peter's Primary School. Soyinka's mother, Grace Eniola Soyinka, whom the author calls "Wild Christian", was a shopkeeper and respected political figure in the community.
Like many other major Nigerian writers, including Elechi Amadi, Chinua Achebe, John Okigbo, John Pepper Clark, and Cole Omotso, Soyinka was educated at the University College of Ibada. In 1954 he moved to England, where he studied English literature at the the University of Leeds, receiving his B.A. in 1959. During this period he started study of the work of Eugene O'Neill and wrote two plays, The Swamp Dwellers and The Lion and the Jewel, a story of a floppish school teacher and a old African chief competing for a young village woman. Both of the plays were staged in London.
SIDI: These thoughts of future wonders – do you buy them
in England, Soyinka married Barbara Skeath, a fellow
student at Leeds; the marriage was brief. In 1960 Soyinka returned to
Nigeria, where he traveled between Lagos and Ibadan and wrote scripts
for radio and television. In a letter in which Soyinka allowed the
University College, Ibadan, to publish a collection of his short plays,
he said, "But not that television play! [My Father's Burden] I hated it
during writing, production and when it was over. It is a bad play." ('A Jolly Bad Fellow: Soyinka's Activities in 1960-1961' by Bernth Lindfors, in Yoruba Creativity: Fiction, Language, Life and Songs, edited by Toyin Falola and Ann Genova, 2005 p. 35) Soyinka's first important play,
A Dance of the Forests
(publ. 1963), performed by his acting company, the 1960 Masks, was
written for Nigeria's independence celebration in 1961. It won the Encounter magazine prize for that year. A book of his plays was published by Mbari in 1963.
Initially the Mbari Artists' and Writers's Club was a modest enterprise, but through its associated periodical Black Orpheus
and programme publications it gained attention far beyond Ibadan. It
maintained also an open-air theater; the American folk singer and
social activist Pete Seeger and the poet Langston Hughes, among others,
appeared on its stage. However, the image of the Mbari Publications as
an independent promoter of new African writing was tarnished by
revelations that a substantial part of the funding
came from organizations connected with the CIA, the Congress for
Cultural Freedom (CCF), a secret programme of cultural propaganda in
Western Europe, and the Fairfeld Foundation, which laundered CIA funds.
(Poetry, Print, and the Making of Postcolonial Literature by Nathan Suhr-Sytsma, 2017, p. 63) Most likely, the Mbari writers were not aware of the CIA's involvement.
Soyinka was appointed in 1962 a lecturer in English at the University of Ife and in 1965 he became senior lecturer at the University of Lagos. Like many writers and intellectuals, Soyinka rejected Christianity, the religion of the colonizers, declaring in 1963 that he is neither a Christian nor a Moslem. Challenging the unquestioned position of Christian churches on the campus, he co-authored in the seventies an unpublished document entitled 'An Appeal for the Re-establishment of African Religions on the University of Ife Campus'. However, Soyinka has also interpreted Christian themes, motifs and symbols in many different ways, such as the water symbolism, the figure of the archetypal Savior, and the idea of the sacrificed God. There are also Buddhist's reference points and mythologies in his poetry, too.
Although Soyinka used in his plays traditional African forms
of expression, he also drew from Western avant-garde techniques. The Strong Breed (1963), a play,
was based on the Yoruba festival of the new year and the ritual of
sacrificing a "carrier" of the previous year's evil. Eman is a stranger
who has found peace in his village, he has no desire to go away. Sunma,
a teacher, wants to spend with him the new year, far from the festival.
The villagers want to safricife Ifada, a helpless and unwilling boy.
Omae, Eman's betrothed, who has died giving birth to his child, appears
to him, and Eman finally fulfills his task and dies a carrier. "Those
who have much to give fulfil themselves only in total loneliness."
The Interpreters (1965), Soyinka's first novel, focused on a group of intellectuals who meet at bars and nightclubs and other social "watering holes" in Ibadan and Lagos and interpret the Nigerian reality. One of the characters is named Lazarus; he is a prophet who claims to have risen from the dead. Opening with the sentence "Metal on concrete jars my drink lobes," this complex novel has been compared with the works of James Joyce and William Faulkner.Soyinka's long-awaited second novel, Season of Anomy (1973), disappointed critics. "I'm not really a keen novelist," Soyinka once said. "And I don't consider myself a novelist. The first novel happened purely by accident."
Soyinka was first time imprisoned after elections in Western Nigeria, charged for illegal broadcast criticizing fraud of the results. After S.L. Akintola was elected premier of the Western Region, Soyinka, armed with a gun, had entered the broadcasting studios in Ibadan, and played his own tape instead of Akintola's victory speech. During the rule of Yakubu Gowon, Soyinka was jailed in 1967-69 for conspiring to aid Biafra's independence movement. Several American and British writers, among them Lillian Hellman and Robert Lowell, protested to the Nigerian government, and Soyinka was released. His poem, 'Live Burial,' appeared in The New Statesmen on the 23rd of May, 1969. It was sent to an English critic from the prison. "Sixteen paces / By twenty-three. They hold / Siege against humanity / And Truth / Employing time to drill through to his sanity." Soyinka's collection on poems, The Man Died (1972), describes his time in jail. The book was banned in Nigeria. Madmen and Specialists, written in 1970, is Soyinka's most pessimistic play. It dealt with man's inhumanity and pervasive corruption in structures of power.
"There is a deep lesson for the world in the black races' capacity to forgive, one which, I often think, has much to do with ethical precepts which spring from their world view and authentic religions, none of which is ever totally eradicated by the accretions of foreign faiths and their implicit ethnocentrism." (in Nobel Lecture, 1986)
After release Soyinka worked as a teacher, but went in 1972 into voluntary exile. He worked as a lecturer, held a fellowship at Churchill College, Cambridge, and wrote three important plays: Jero's Metamorphosis, The Bacchae, and Death and the King's Horseman. In 1975 Soyinka moved to Accra, Ghana, becoming an editor of Africa's leading intellectual journal Transition. After a coup deposed President Gowon in 1975, Soyinka returned to Nigeria and was appointed professor of English at the University of Ife. Soyinka's childhood memoirs, AkÚ: The Years of Childhood, came out 1981. It depicted vividly the village where he grew up, his parents, and his education in Yoruba traditions and mysteries. You Must Set Forth at Dawn: A Memoir (2006) was a follow-up to AkÚ, which also gives insight into the history of Nigeria under military rule.
In 1988 Soyinka became a professor of African studies and theatre at Cornell University. Despite government pressure, Soyinka was active in the Nigerian theater. Like the writer and human rights activist Ken Saro-Wiwa (1941-1995), who was hanged despite of international protests, Soyinka criticized the corruption brought to Nigeria by the oil industry. Soyinka's cousin, Fela Kuri, a charismatic musician, was imprisoned in 1984 due to his criticism of the military government.
A number of Soyinka's essays were collected in Myth, Literature, and the African World (1976). He has been one of the most outspoken critics of the concept on nÚgritude, which have been associated with LÚopold Senghor, the writer and former President of Senegal. Soyinka sees that nÚgritude encourages into self-absorption and affirms one of the central Eurocentric prejudices against Africans, namely the dichotomy between European rationalism and African emotionalism."A tiger does not shout its tigritude," Soyinka said, "it acts." In his essay 'Reparations, Truth and Reconciliation' (in The Burden of Memory, the Muse of Forgiveness, 1999) Soyinka defends the idea, that the West should pay reparations for crimes committed against African people. "Reparations... serve as a cogent critique of history and thus a potent restraint on its repetition." Soyinka points out that this discussion is not new, but Pan-African organizations talked about compensation in the beginning of the 20th century. Soyinka has also defended African democracy. In the mid-1970s he campaigned for Idi Amin's overthrow. Following the spread of religious fundamentalism, Soyinka has considered his duty to "fight those who have chosen to belong to the party of death, those who say they receive their orders from God somewhere and believe they have a duty to set the world on fire to achieve their own salvation, whether they are in the warrens of Iraq, or in the White House."
lived in exile in the US and France after leaving
Nigeria in 1994. He had participated in 1993 on a protest march against
the military regime and also witnessed on another occasion the killings
of peaceful demonstrators. In an interview Soyinka revealed that he
never applied for an American Green Card, but Presindent Jimmy Carter
got it for him.
In 1997 Soyinka was tried in absentia with 14 other opposition members for bomb attacks against army between the years 1996-97. The military regime of General Sani sentenced him to death. "Some people think the Nobel Prize makes you bulletproof. I never had that illusion," Soyinka once said. After the death of military dictator Sani Abacha on June 1998, Soyinka demanded democracy to Nigeria. In an interview in Newsweek on August 10, 1998 Soyinka stated that to further the transition to Nigerian democracy "the United States must not give any ground to the regime until democracy has been restored."
The accusations have been canceled and general Abdulsalami
Abubakar have granted amnesty for several political prisoners. Soyinka
returned in October 1998 to his home country, and and received a hero's
welcome. Moreover, he was urged to run for the presidency by his
faithful supporters. In his play King
Baabu (2001) Soyinka parodied past and present African
dictators. The title refers to Alfred Jarry's
classic absurdist play, Ubu Roi (1896). "Look at Mugabe
stifling the opposition under the pretence of repossessing alienated
land. He's one of these dictators who want to die in office and will
crush all dissenting views...in the crudest manner -- killing his
opponents, torturing them, burning their houses." (Soyinka
in a CNN interview, August 1, 2001) After
decades of struggle for democracy and freedom of expression, Soyinka
announced in 2010 that he has decided to retire from public life.
Soyinka has been married three times. In 1989 he married his third
wife, Doherty Folake, also a Nigerian. His second wife, Laide Idowu,
whom he met while studying at the University College, Ibadan, worked
before her retirement as Librarian of Olabisi Onabanjo University.
Following President Bashar Assad's brutal crackdown on the country's uprising, Soyinka and other writers, such as Umberto Eco, David Grossman, Amos Oz, Orhan Pamuk and Salman Rushdie, urged in June 2011 the United Nations to condemn the repression in Syria as a crime against humanity. Soyinka destroyed his green card after Donald J. Trump won the US presidential elections, saying, "Walls are built in the mind, and Trump has erected walls, not only across the mental landscape of America, but across the global landscape."
For further reading: The Writing of Wole Soyinka by Eldred Jones (1973, rev. 1983); Critical Perspectives on Wole Soyinka by James Gibbs (1978); Wole Soyinka by Gerald Moore (1978); Critical Perspectives on Wole Soyinka by James Gibbs (1980); Wole Soyinka: An Introduction to His Writing by Obi Maduakor (1986); Wole Soyinka Revisited by Derek Wright (1993); Research on Wole Soyinka, ed. J. Gibbs and B. Lindfors (1993); Wole Soyinka: An Appraisal, ed. A. Maja-Pearce (1994); Wole Soyinka: Life, Work and Criticism by D. Wright (1996); Postcolonial African Writers, ed. Pushpa Naidu Parekh and Siga Fatima Jagne (1998); Conversations with Wole Soyinka, ed. Biodun Jeyifo (2001); Wole Soyinka: Politics, Poetics, and Postcolonialism by Biodun Jeyifo (2004); Ogun's Children: The Literature and Politics of Wole Soyinka since the Nobel Prize, edited by Onookome Okome (2004) The Inner Eye: An Oriel on Wole Soyinka's Poetry by Segun Adekoya (2006); Early Soyinka by Bernth Lindfors (2008); The Interpreters: Ritual, Violence and Social Regeneration in the Writing of Wole Soyinka by Hakeem Bello (2014) - See also: Amos Tutuola, who became famous with his stories based on Yoruba folk tales